Catherine Murchison sang at the charity concert that night, and Mrs. Betty listened to her with the outward complacency of an angel. The big woman in her black dress, with a white rose in her ruddy hair, bowed and smiled to the enthusiasts of the Roxton slums who knew her nearly as well as they knew her husband.

Catherine Murchison’s rare contralto flowed unconcernedly over her rival’s head. She sang finely, and without effort, and the voice seemed part of her, a touch of the sunset, a breath from the fields of June. Catherine’s nature came out before men in her singing. A glorious unaffectedness, a charm with no trick of the self-conscious egoist. It was this very naturalness, this splendid unconcern that had forever baffled Mrs. Betty Steel. The woman was proof against the mundane sneer. Ridicule could not touch her, and the burrs of spite fell away from her smooth completeness.

“By George, what a voice that woman has!”

The bourgeoisie of Roxton was piling up its applause. Mrs. Murchison had half the small boys in the town as her devoted henchmen. Politically her personality would have carried an election.

“It comes from the heart, sir.”

The opening notes rippled on the piano, and Mr. Carmagee lay back in his chair to listen. He was a little monkey of a man, fiery-eyed, wrinkled, with a grieved and husky voice that seemed eternally in a hurry. He knew everybody and everybody’s business, and the secrets his bald pate covered would have trebled the circulation of the Roxton Herald in a week. Porteous Carmagee was godfather to Catherine Murchison’s two children. She was one of the few women, and he had stated it almost as a grievance, who could make him admit the possible advantages of matrimony.

“Bravo, bravo”—and Mr. Carmagee slapped Tom Flemming’s knee. ‘When the swans fly towards the south, and the hills are all aglow.’ I believe in woman bringing luck, my friend.”